Sunday, March 26, 2000

Riveting

When I first saw the previews for The Sixth Sense, it freaked me out. The commercials made it look like a terrifying horror flick, and I was sure that I couldn't handle it. However, I went to the movies one night with one of my more courageous peers, and I decided to give the movie a shot. After all, it was only PG-13, and it starred a kid. How bad could it be? I figured I'd suffer through it.

I needn't have worried. After a couple of minutes, I was drawn into Haley's riveting performance and Bruce's low-key display of sensitivity. The story was simple incredible, and the characters, mainly Cole Sear, his mom, and Dr. Malcolm Crowe, displayed an impressive depth. Cole was especially fascinating. The first time we hear him speak, he is huddling in a church with his toy soldiers murmuring a Latin prayer. Strange things seem to happen around him, and he tells Dr. Crowe that what he wants more than anything is "not to be scared anymore."

Dr. Crowe is chilled by the similarity between Cole and Vincent, a child who he misdiagnosed several years before. Vincent broke into Dr. Crowe's house one day and shot him before killing himself, and the doctor hasn't been the same since. He works feverishly to figure out where he went wrong with Vincent and help Cole. He becomes so engrossed in Cole's case that he never has time to talk to his wife anymore.

Meanwhile, Cole suffers in silence as he is haunted by visions of dead people. When he breaks the secret to Dr. Crowe -- after a frightening incident which landed him in the hospital -- Malcolm assumes that Cole has been hallucinating. But then how to explain those scratches all over the boy's body? When we see through Cole's eyes, we are presented with a gruesome line of ghosts who have died horribly. Be prepared for a couple jumps, maybe a shriek or two.

I came to "The Sixth Sense" expecting a horror movie, and I left feeling what was almost a spiritual experience. Aside from some gory graphics, this movie is a touching drama that will give you a lot to think about. When you leave the theater, you may thin twice about whether you believe in ghosts. I was especially touched by the fact that in the end, Cole simply had to listen to the ghosts and help them. They were just normal people who had died with unresolved issues.

Then there was the tender relationship between Cole and his mother, and her pain over the not-so-recent loss of her mother. Watch for Cole's comment at the dinner table: "Sometimes you miss something, and you think it's lost, but it really just got moved." While his mother doesn't catch his meaning at the time, it is one of the most meaningful lines in the whole movie.

Haley is brilliant in this movie, creating an enduring character more convincingly than many adults could. He deserves an Oscar for that performance. Toni Colette and Bruce Willis are also remarkable. Come to the movie prepared to laugh, to scream, and to cry. And if the end doesn't twist your head around 180 degrees, I don't know what will.

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