Lieutenant "Broccoli" Learns to Embrace the Real World in Star Trek TNG's Hollow Pursuits

Last week, I was doing some late-night channel surfing and happened upon Genesis, one of the few episodes of Star Trek: The Next Generation featuring Dwight Schulz’s nervous, severely socially awkward engineer Reginald Barclay. I was excited to see the character, who I fondly remembered, mainly from season three’s Hollow Pursuits, which introduces him. When I looked that episode up, I was delighted to find that it would be airing on Thanksgiving night. The episode was just as charming as I remembered.

Schulz gives a performance that is extremely comical but also sympathetic. At one point in the episode, he confides in his immediate superior, the kind and competent Geordi La Forge (LaVar Burton), that he is the guy who always writes down things to say before he goes to a party, then ends up spending the evening in the corner studying a potted plant. For a wallflower like me, this poor fellow who has earned the whispered nickname “Broccoli” from his crewmates is easy to relate to.

Not only is Barclay a wonderful character, but Guinan, the serene bartender portrayed by Whoopi Goldberg who is probably my favorite occasionally recurring character on TNG, has a terrific heart-to-heart with Geordi during which she encourages him to show oddball Barclay a little empathy. She relates the story of her brother, the black sheep of the family, who had a fantastic sense of humor that no one else got a chance to appreciate because they wrote him off so quickly. When Geordi explains how unpopular he is with the rest of the officers, complaining that he’s never on time and is always agitated, Guinan responds that if she were surrounded by people who didn’t like her, she’d probably be late and nervous too. Geordi is a very nice guy already, but this conversation is an important aid in helping him give Barclay another shot.

Anytime the holodeck comes into play, it’s a treat, because we get to explore entirely different settings from the sterile starship, often with fancy costumes for those usually stuck in the same uniform all the time and with literary or historical characters springing to life to interact with the crew. One of my all-time favorite posters is the American Library Association’s one featuring the members of Captain Picard’s crew holding their most beloved books. This doesn’t seem like much of a stretch because the show frequently includes allusions to various literary figures, particularly Sherlock Holmes.

In this episode, we get the Three Musketeers, with Barclay programming his idyllic escape from reality with Picard (Patrick Stewart), Geordi, Data (Brent Spiner) as the famous swordsmen and Riker in the role of eager young D’Artagnan. All are accomplished duelers, but none can match the skill of Barclay, who, within his own little world, demonstrates none of his characteristic jitteriness. The Crushers (Gates McFadden and Wil Wheaton) and Deanna Troi (Marina Sirtis) also have amusing holoworld counterparts, and it’s especially entertaining to see how the real Geordi, Riker and Deanna react to them when they crash the program in search of Barclay.

This is an episode that seems very ahead of its time. Though it aired in 1990, it is the perfect cautionary tale on the dangers of getting too sucked into the Internet, particularly role-playing games. Sally Caves, who wrote the teleplay, seems to have anticipated the extent to which people could get drawn into this illusory world, particularly those who have trouble with real-life social interaction. Of course, the message could apply to any number of fiction-based entertainments, from books to Dungeons and Dragons. But it seems to fit the Internet especially well.

Hollow Pursuits is one of the funniest episodes of TNG, but it’s packed with meaning, with a lesson to the Barclays of the world not to retreat so far into their own imaginations that real life eludes them and to those who know such people not to let them feel so isolated that such pursuits seem like the only way to find peace.

Star Trek: The Next Generation - Genesis Is Completely Ridiculous, In a Good Way

So I was sitting in the living room, too tired to do anything productive, too awake to call it a night, and after one flatulence joke too many from Craig Ferguson, I grabbed the remote, whereupon I was reminded of that glorious, albeit inconveniently late, time slot during which Star Trek: The Next Generation is on WGN. So I settled in for Genesis, an episode I’d never seen before. It features one of my favorite minor players, jittery Lieutenant Barclay (Dwight Schulz), and it starts off with the promising scene of Data (Brent Spiner) undergoing a consultation regarding his pregnant cat, Spot.

Some of my favorite moments in the series involve this cat, including Data’s reading of his own poetic composition, An Ode to Spot, and his range of emotions concerning her fate in Star Trek: Generations, so I figured her appearance was a good sign. And who can resist the promise of kittens? Unfortunately, while Spot does play a key role in the plot, we see very little of her, and even less of her and Data together - and in one of those scenes, her appearance is decidedly different. In high school, I witnessed the taping of a commercial spoofing The Wizard of Oz that co-starred an iguana as Toto. The fact that it made no sense whatsoever added to the humor. It’s supposed to make sense that fluffy Spot transforms into an iguana before the episode is out, but it never really does. This is one weird episode. But it’s very entertaining.

I was surprised to see that Genesis originally aired in March. It definitely struck me as a Halloween episode, sort of Treehouse of Horror TNG-style. Beware the Ides, and beware the episode’s premise if you want to avoid scratching your head in confusion or shaking it in exasperation. The whole thing plays out like a spoof of cheesy horror movies as various members of the crew begin demonstrating strange behavior before undergoing startling changes to their physiology.

Deanna Troi (Marina Sirtis) becomes unbearably chilly; Will Riker (Jonathan Frakes) can’t hold onto his train of thought; hypochondriac Barclay becomes hyperactive. Most noticeably, Worf (Michael Dorn) becomes unaccountably surly, which is initially funny but grows worrisome as the episode wears on. Even Captain Picard (Patrick Stewart) is beginning to exhibit symptoms of paranoia. Data alone is unaffected, and it’s up to him to put on his Sherlock Holmes cap and figure out just what is going on.

Genesis goes in a much different direction than I anticipated. It’s one of the funniest TNG episodes I’ve seen, in a campier-than-the-original-series kind of way. I’m not sure it was supposed to be so silly, but really, once Deanna sprouts gills, it’s hard to take anything that happens in the episode too seriously. But boy, it sure made me chuckle...

Captain Picard Says Hello to the 20th Century in The Big Goodbye

When Star Trek: The Next Generation was on the air, my family used to watch it every week, so I was pleased to discover that WGN has recently begun running the series, though I keep forgetting it's on. Last night, I was flipping through the channels and caught it right at the beginning. I can't say I remember this particular episode, a season one outing called The Big Goodbye, but when it opened with stately Captain Jean-Luc Picard (Patrick Stewart) getting all giggly in the Holodeck, I figured I was in for a treat.

The Holodeck is a wonderful Next Generation invention that allows the Enterprise's officers to immerse themselves in any surroundings they choose. This often means trips to fictional or historical settings, which is a nice change of pace, particularly since it gets the characters out of their familiar uniforms. Picard's destination of choice is the early 1940s, where he steps into the trenchcoat of his favorite gumshoe, Dixon Hill, and finds himself in a world of sultry women and snarling mobsters.

He's so impressed upon his first Holodeck adventure that he returns with the ship's historian, Whalen (David Selberg), and Dr. Crusher (Gates McFadden), who hopes the trip will present an opportunity for some alone time with the captain. That prospect becomes more unlikely when the ever-curious Data (Brent Spiner) reads up on the detective and decides to crash the party, confusing Holodeck characters with his pasty skin and matter-of-fact statements about the future, reminding me of Spock in The City on the Edge of Forever. But he's along simply to have fun and becomes increasingly comical as he adopts not only the colloquialisms of the time but also a cheesy accent.

Little does Picard's merry band know that their little game is about to turn deadly, as there are dangerous men on their tail and the Holodeck has malfunctioned, leaving them trapped. What's more, Picard has an important job to do on the bridge - recite the proper greeting to an alien race in hopes of restoring peace after another captain's pronunciation gaffe twenty years earlier deeply offended them. If he doesn't escape soon, it could be a diplomatic disaster.

Most of this episode takes place in the Holodeck, making it especially entertaining, though the action on the ship is engaging too as second-in-command Riker (Jonathan Frakes), engineer Geordi La Forge (LeVar Burton) and geeky teenage ensign Wesley Crusher (Wil Wheaton) rush to fix the Holodeck in time. The most amusing performances definitely come from Stewart and Spiner, both on the Holodeck and off - Stewart because we're not used to seeing Picard swept away in childlike wonder, Spiner because childlike wonder is what he does best. Generally speaking, I find Data to be the show's funniest character.

Despite some high stakes, The Big Goodbye is a lighthearted episode, even down to what Picard has to say to the alien envoy. It's one of the best examples of how fun Next Generation could be.