My friend Dan shares my love of great picture books, so when he finds
one, he always makes a point of alerting me. This year for Christmas, he
gave me Open This Little Book, a simple but clever book written by Jesse Klausmeier and illustrated by Suzy Lee.
The first thing I thought of when I read through this fun book was Cloud Atlas,
as it has a similar recursive structure, albeit with much simpler
contents. Indeed, there is very little text in the book except at its
very heart. Nonetheless, there is enough there to give kids the gist of
the idea and hopefully inspire not only further reading but further
writing as well.
While Klausmeier is a first-time author,
Korean artist Lee has received many accolades for her work, and it is
the visual component of this book that is so striking. It begins after
the title page, when we see a purple paperback book resting comfortably
inside the larger hardcover. This interior book is slightly smaller,
leaving a mostly-white border around it where the book returns to
full-size at the end. Its cover is less complex but still incorporates
most of the same elements as the cover proper.
The title is an instruction. Open the book, and you’ll find another, still smaller, book inside, this one entitled Little Red Book. Inside that is Little Green Book, which contains Little Orange Book, which houses Little Yellow Book, which conceals Little Blue Book and, finally, Little Rainbow Book.
Each book introduces another character, and the two illustrations
inside it show that character holding the next book in line. For
instance, Rabbit, who first appears in the orange book, holds the yellow
book in his paw.
The use of color in the book is wonderful.
Each book has a solid color outline on the inside to which the next book
reaches, so when you get to the middle you have very defined white,
purple, red, green, orange, yellow and blue boxes. While the order is
not quite that of the rainbow spectrum, the basic colors are there, and
it’s very pleasing to the eye.
Additionally, the color subtly
enforces the idea that every book we read expands our knowledge. The
first illustration inside the purple book is black and white except for
the red book. In the next illustration, however, red is used
extensively, while the only other color is green, which is only used to
show the book Ladybug is reading. This continues, with each book
incorporating more colors.
When they double back on
themselves, each of them closing his or her book in turn, the
illustrations on the right-hand side of the books are drenched with
color. Rabbit now has a yellow umbrella; Ladybug is surrounded by leafy
greenery. Their worlds are brighter because of what they have gained by
reading.
That message is more overtly stated at the very end
of the book as well, since it explicitly instructs children to open
another book after they have closed the last of the mini-books. The
final illustration is a joyous celebration of the wonders of reading,
with all of the book’s characters and many others happily sprawled
around a beautiful bookcase fashioned out of a pair of entwined trees.
That design emphasizes the sense of connection that runs through the
book (or, rather, series of books). Stories are something we share with
each other.
This book is a delight to peruse, and I can easily
picture some children wanting to try creating a book like this
themselves. I’m certain my artistic brother would have enjoyed such a
task had he encountered such a book as a kid. Children might also have
fun identifying all of the animals featured in the final picture and
imagining what each of them could be reading.
As someone who grew up with both Star Trek: The Next Generation and Reading Rainbow,
I was intrigued by Klausmeier’s decision to dedicate the book in part
to LeVar Burton. She offers no explanation, but I suspect the latter
show has something to do with it. After all, she, too, is telling reader
to take a look in a book, and in this case, the contents are colorful
indeed.
Reviews and essays, including all my reviews posted on Epinions from 2000 to 2014.
Showing posts with label LeVar Burton. Show all posts
Showing posts with label LeVar Burton. Show all posts
Thursday, January 31, 2013
Wednesday, February 11, 2009
Captain Picard Says Hello to the 20th Century in The Big Goodbye
When Star Trek: The Next Generation was on the air, my family
used to watch it every week, so I was pleased to discover that WGN has
recently begun running the series, though I keep forgetting it's on.
Last night, I was flipping through the channels and caught it right at
the beginning. I can't say I remember this particular episode, a season
one outing called The Big Goodbye, but when it opened with
stately Captain Jean-Luc Picard (Patrick Stewart) getting all giggly in
the Holodeck, I figured I was in for a treat.
The Holodeck is a wonderful Next Generation invention that allows the Enterprise's officers to immerse themselves in any surroundings they choose. This often means trips to fictional or historical settings, which is a nice change of pace, particularly since it gets the characters out of their familiar uniforms. Picard's destination of choice is the early 1940s, where he steps into the trenchcoat of his favorite gumshoe, Dixon Hill, and finds himself in a world of sultry women and snarling mobsters.
He's so impressed upon his first Holodeck adventure that he returns with the ship's historian, Whalen (David Selberg), and Dr. Crusher (Gates McFadden), who hopes the trip will present an opportunity for some alone time with the captain. That prospect becomes more unlikely when the ever-curious Data (Brent Spiner) reads up on the detective and decides to crash the party, confusing Holodeck characters with his pasty skin and matter-of-fact statements about the future, reminding me of Spock in The City on the Edge of Forever. But he's along simply to have fun and becomes increasingly comical as he adopts not only the colloquialisms of the time but also a cheesy accent.
Little does Picard's merry band know that their little game is about to turn deadly, as there are dangerous men on their tail and the Holodeck has malfunctioned, leaving them trapped. What's more, Picard has an important job to do on the bridge - recite the proper greeting to an alien race in hopes of restoring peace after another captain's pronunciation gaffe twenty years earlier deeply offended them. If he doesn't escape soon, it could be a diplomatic disaster.
Most of this episode takes place in the Holodeck, making it especially entertaining, though the action on the ship is engaging too as second-in-command Riker (Jonathan Frakes), engineer Geordi La Forge (LeVar Burton) and geeky teenage ensign Wesley Crusher (Wil Wheaton) rush to fix the Holodeck in time. The most amusing performances definitely come from Stewart and Spiner, both on the Holodeck and off - Stewart because we're not used to seeing Picard swept away in childlike wonder, Spiner because childlike wonder is what he does best. Generally speaking, I find Data to be the show's funniest character.
Despite some high stakes, The Big Goodbye is a lighthearted episode, even down to what Picard has to say to the alien envoy. It's one of the best examples of how fun Next Generation could be.
The Holodeck is a wonderful Next Generation invention that allows the Enterprise's officers to immerse themselves in any surroundings they choose. This often means trips to fictional or historical settings, which is a nice change of pace, particularly since it gets the characters out of their familiar uniforms. Picard's destination of choice is the early 1940s, where he steps into the trenchcoat of his favorite gumshoe, Dixon Hill, and finds himself in a world of sultry women and snarling mobsters.
He's so impressed upon his first Holodeck adventure that he returns with the ship's historian, Whalen (David Selberg), and Dr. Crusher (Gates McFadden), who hopes the trip will present an opportunity for some alone time with the captain. That prospect becomes more unlikely when the ever-curious Data (Brent Spiner) reads up on the detective and decides to crash the party, confusing Holodeck characters with his pasty skin and matter-of-fact statements about the future, reminding me of Spock in The City on the Edge of Forever. But he's along simply to have fun and becomes increasingly comical as he adopts not only the colloquialisms of the time but also a cheesy accent.
Little does Picard's merry band know that their little game is about to turn deadly, as there are dangerous men on their tail and the Holodeck has malfunctioned, leaving them trapped. What's more, Picard has an important job to do on the bridge - recite the proper greeting to an alien race in hopes of restoring peace after another captain's pronunciation gaffe twenty years earlier deeply offended them. If he doesn't escape soon, it could be a diplomatic disaster.
Most of this episode takes place in the Holodeck, making it especially entertaining, though the action on the ship is engaging too as second-in-command Riker (Jonathan Frakes), engineer Geordi La Forge (LeVar Burton) and geeky teenage ensign Wesley Crusher (Wil Wheaton) rush to fix the Holodeck in time. The most amusing performances definitely come from Stewart and Spiner, both on the Holodeck and off - Stewart because we're not used to seeing Picard swept away in childlike wonder, Spiner because childlike wonder is what he does best. Generally speaking, I find Data to be the show's funniest character.
Despite some high stakes, The Big Goodbye is a lighthearted episode, even down to what Picard has to say to the alien envoy. It's one of the best examples of how fun Next Generation could be.
Subscribe to:
Posts (Atom)