When I was younger, baking gingerbread cookies was a much-anticipated
part of my Christmas preparations. I loved decorating them with
intricate designs for the random shapes like stars and bells and with
animated expressions for the soon-to-be-eaten people. I read the story
of the Gingerbread Man many times, but I never had any desire for my
cookies to come to life. I don't know whether the lovingly iced and
sprinkled protagonist of Cookie Angel finds herself quite
suddenly alive on Christmas Eve as a result of fervent wishes from the
children who baked her or merely because the cryptically whispering
snowflakes falling outside are in the mood to dole out gifts. I don't
think it much matters; I would find the story odd either way.
There's an old idea in many children's stories that toys come alive when
no one is watching. It's been successfully explored in the Toy Story movies, Hans Christian Andersen's tales, The Velveteen Rabbit and, to my mind at least, Eugene Field's maligned Little Boy Blue.
With all these top-notch precedents, I am not prepared to be satisfied
with a substandard offering about a motley crew whose leader is edible.
At least we don't expect that she will be eaten, at least not right
away; there are plans to hang her on the tree, and who really wants to
munch on a cookie tainted with pine sap? We don't make it to Christmas,
though, at least the part of Christmas in which the humans are awake, so
we don't really know Cookie Angel's destiny.
When Cookie
Angel receives the gift of life, I assumed that it was for some profound
purpose. Perhaps author Bethany Roberts saw it that way. After all, the
angel does keep all of the presents in line. But what is the point of
them having this rare opportunity to walk and talk when all they do is
create chaos and then fall asleep, presumably not to awaken until next
Christmas? I don't get it, and while the Nativity scene under the tree
goes with the angel and the carols she mysteriously knows how to sing,
there's something off about the way the baby Jesus is incorporated into
the story.
Vladimir Vagin's illustrations are colorful but
pretty generic-looking, though I do like the snowflakes, which look as
magical as the text indicates. The future Christmas gifts, which include
a teddy bear, a jack-in-the-box, a doll and a monkey, each have
distinct personalities, as does the dog that is disturbed by all the
noise of the troublemaking toys. There are some amusing antics, but the
impression I got throughout most of the action was of meaningless havoc.
A glance at any bookstore or library will soon reveal a
wealth of Christmas-themed picture books. With so many tasty
alternatives available, I wouldn't recommend that anyone bite into Cookie Angel
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