Wednesday, October 17, 2007

Crystal and Muresan Leave a Big Impression in My Giant

One of my all-time favorite movies features Billy Crystal and Andre the Giant. I couldn't help but think of The Princess Bride, that endlessly quotable comedic extravaganza, as I began to watch My Giant, starring Crystal and another giant, basketball dynamo Gheorghe Muresan, and incorporating lush Romanian landscapes and gentle music suitable for a fairy tale. This 1998 movie is not a comparable laugh riot, though there were many moments that gave me the giggles. Rather, it is a tender story of friendship, and as the credits rolled, I discovered that the Princess Bride vibes were probably intentional, since the film, which Crystal wrote with David Seltzer and produced, was dedicated to Andre, who died in 1993.

Andre's Fezzik, the lovable rhyming giant, is my favorite character in Princess Bride, and Muresan puts echoes of that performance into Maximus Zamphirescu, a seven-and-a-half-foot-tall Shakespeare enthusiast raised in the company of monks. When Sammy Kamin (Crystal), an agent recently ditched by his sole client, cocky teen star Justin Allen (Rider Strong), meets him, he sees dollar signs. He's sure he can make a huge star out of Max - and a small fortune for himself - if he can just convince his naive new friend to come along for the ride. Max, used to living in hiding from derisive villagers, isn't easily swayed, but he does have one very compelling reason to follow Sammy to America: his childhood sweetheart, Lilliana Rotaru (Joanna Pacula), whom he hasn't seen or heard from in 20 years. Sammy dangles the prospect of meeting Lilliana before Max as he good-naturedly accompanies the agent on an exhausting journey while Sammy struggles with whether turning Max into a star is really what's best for him.

Crystal narrates the film from time to time, mostly toward the beginning. His witty commentary is occasionally heartfelt, usually entertaining. I especially enjoy a montage in the film's first few minutes in which he explains his lifelong ability to talk people into things, the highlight of which involves him as a kid (Eric Lloyd) convincing his Orthodox rabbi to give pork a try. His dry humor is showcased throughout the film, but there are also opportunities for somber reflection. Sammy is a bit self-involved, a bit of an opportunist, but mostly he's a nice guy caught up in an often brutal business. It's clear he cares for Max and is distressed by the poor treatment his condition often gets him. He also is devoted to his family, smart-aleck son Nicky (Zane Carney) and estranged wife Serena (Kathleen Quinlan), but he's forgotten how to show it, and this quest is more about his development as a compassionate individual than Max's road to self-worth.

But the towering Muresan shines as well, and Max really is the movie's heart, showing Sammy how to love truly and deeply. His deep, accented voice is distinctive, jarring at first but soon warmly familiar, like his ever-present smile. Quinlan is also impressive, particularly in a moving scene toward the end of the film, and Strong is delightfully irritating. Other standouts include Jere Burns as the testy movie director who gives Max his first big break and Steven Seagal as himself. Michael Coulter's cinematography captures the beauty of Max's homeland, while Marc Shaiman's sprightly score is enchanting. It all comes together to make My Giant a tender, funny film for the whole family to ponder and enjoy.

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