This Friday, the new Disney movie Winnie the Pooh hits theaters,
and though I’m not sure how well the tubby little cubby can compete
against the final installment of that equally popular British export
known as Harry Potter, I know I’m not the only one looking forward to
seeing him on the big screen again. In anticipation of that event, I
watched A Bear Named Winnie, the 2004 live-action film directed
by John Kent Harrison, who wrote it with John Goldsmith based on the
true story by Simon Vaughan.
In this movie, set during World War
I, we get the story of Lt. Harry Colebourn (Michael Fassbender), a
young Canadian soldier in a veterinary corps who rescues an orphaned
bear cub and smuggles her aboard the train to training camp. He names
her Winnipeg after his hometown and calls her Winnie for short. While
his gruff commander, Col. John Barret (Gil Bellows), warns him that he’s
going to have to do something about her before they head off to do some
real fighting, Winnie quickly grows very attached to Harry, and shaking
her off isn’t going to be so easy.
Winnie is the bear after
whom Winnie the Pooh is named, and the movie is framed by scenes several
years later that show her at the London Zoo, where she is one of the
most popular residents. The bulk of the movie deals with her presence at
the training camp in Quebec and later in England, after Harry pulls off
another smuggling act, this time in a sea chest. His chief accomplices
in this endeavor are geeky Ivy League graduate Ian Macray (Jonathon
Young) and cheerful goofball Randy Taylor (Aaron Ashmore). As powerful
as the bond between Winnie and Henry is, the movie is just as much about
the friendship between these young men, particularly Henry and Ian.
Winnie,
played by three different bears named Chester, Charlie and Bonkers, is a
charming creature, though she is loud and rather disaster-prone. She
has a habit of bellowing in moments of distress, and her ingenuity
causes problems when she escapes and makes for the mess tent. However,
in times of tranquility she is a comfort to those around her, whether
she is nuzzling noses with the camp horses or wrapping her furry limbs
around Harry in a firm bear hug. There are moments of comedy with her
disastrous antics, but the story more often veers toward the
heartwarming.
The only member of the cast I recognized was Ashmore, who has so consistently charmed me as Smallville’s
fresh-faced Jimmy Olsen. His character here is of a similar
disposition, and he adds levity to most of the scenes in which he
appears. Young brings an uptight but sympathetic air to Ian, who is
sheltered and jittery but very passionate about his veterinary work. The
core friendship between Ian and the more outgoing Henry is helpful in
getting us to understand the plight of soldiers during this time. The
stern but kind presence Bellows brings stands in contrast to the lunacy
of the unit’s top commander (David Suchet), a general who is far removed
from soldiers’ concerns.
A Bear Named Winnie is mostly a
war story, though its PG rating keeps it from becoming too graphic,
even as it delves into some of the harsh realities of wartime. It’s a
tale of friendship and how bonds forged in trying times can carry the
despairing through to happier days. Christopher Robin and A. A. Milne
are characters in the movie, and an end-credits note confirms their
identities, but this is not really their tale. They have just enough of a
screen presence to tie the movie in with the Winnie whose popularity
continues a century later. That Winnie remains my favorite of all
fictional bears, but it seems the real Winnie had a lot to recommend her
as well.
No comments:
Post a Comment