I have a mixed track record when it comes to movies starring Matthew
McConaughey. Sometimes he’s great, as in his spirited turn as a coach
who helps revive a tragedy-struck college football team in We Are Marshall. Sometimes, he makes me cringe, as I’m doing right now as I recall his role as a womanizing sleazebag in the lamentable Ghosts of Girlfriends Past. I feared that I might be veering closer to the latter with 2006’s Failure to Launch, but I decided to give the romantic comedy a try anyway.
Tripp
(McConaughey) is a bit of a womanizer too, but at least he sticks to
one girl at a time. The commitment-shy boat salesman feels like he’s got
it made. Sweep the ladies off their feet, have a little fun with them,
invite them home for some hanky-panky… and let them find out that his
gorgeous residence actually belongs to his parents. Yes, he’s 35 and
still living at home, and his dates all consider that a major turn-off –
especially when Mom (Kathy Bates) or Dad (Terry Bradshaw) could poke a
head in his bedroom at a most inopportune time. He seems quite content
with this living arrangement, but his parents aren’t. They’re ready to
be empty nesters. So they call in Paula (Sarah Jessica Parker) to help
their little fledgling fly the coop.
Paula has built a lucrative
career out of getting men like Tripp to fall for her, which motivates
them to get on their feet and become independent. She’s got it down to a
science, and Tripp is putty in her hands. Their courtship is going so
well that she expects to have him out of his house in no time. The only
catch? Tripp is not the only one falling in love. Paula has prided
herself on her ability to maintain emotional distance; could Tripp’s
surprising hold on her ruin his parents’ plan and her career? Will two
hearts be broken before all is said and done?
I found the
movie’s premise interesting. For a number of reasons, adult children
living with their parents is increasingly common in America. There’s
almost a presupposition here that no woman in her right mind would ever
knowingly date a guy in such a situation, which seems to be overstating
things a little. Then again, I may just feel defensive of these fellas
since I live at home myself. (The movie also seems to imply that this is
chiefly a male phenomenon, but I know several more women who live with
their parents than men. Hmm… Do I smell a sequel?) Paula’s tactics seem
very effective, though I would think that if she is the main factor in
getting a man to leave his parents, there would be a serious chance of
him running back to them after the relationship dissolves. In any case,
she seems to be setting all these guys up for heartache.
Nonetheless,
I couldn’t help finding Paula pretty likable, and I do get the sense
that it’s not just about the money. She wants to encourage her unwitting
clients to spread their wings a little. Meanwhile, Tripp is a loafer
and a ladies’ man, which makes him rather annoying, but he’s also got a
respectable job that suits him and a tender big brotherly relationship
with a young man he refers to as his nephew. It’s through this boy that
we and Paula best glimpse his softer side.
Tripp is aptly named,
since he seems to have a special knack for taking pratfalls,
particularly when wild creatures are involved, and his hapless buddies
Ace (Justin Bartha) and Demo (Bradley Cooper) are the worst wingmen ever
on these occasions. Paula’s pal Kit (Zooey Deschanel) is a bit more
helpful, though she spends half the movie glowering over the racket made
by a mockingbird plaguing the house she and Paula share. Despite her
morose countenance, I found her one of the funniest characters and in
some ways enjoyed the romantic subplot involving her more than the main
one. Bates is funny too as the mom who smothers Tripp with affection but
simultaneously wants him out of the house. For her, letting go is a
struggle, while Bradshaw’s gruff manner as Tripp’s dad demonstrates that
he would be more than happy to see his son venture off on his own.
On the whole, I found Failure to Launch
a pretty engaging comedy and far from the worst McConaughey vehicle
I’ve seen. It’s a bit silly at times, while at others it’s
thought-provoking, prompting rumination over the reasons adults live
with their parents and the issues involved in such an arrangement.
Mostly, though, it’s just a light romance with a feel-good conclusion
and some pretty good laughs along the way.
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