Tuesday, December 1, 2009

Kris Kristofferson Offers Authenticity Amidst Artifice in Christmas in Connecticut

When I think of Arnold Schwarzenegger, my first thought is Terminator, quickly followed by several other adrenaline-soaked action flicks. Then, of course, I remember that he is the governor of California, a position that certainly caught me by surprise the first time I realized he’d taken it up. Today, thanks to Netflix, I discovered another hat he wore: director. He only directed one movie, and it was made for television and a remake to boot. But I found 1992’s Christmas in Connecticut, written by Janet Brownell, a thoroughly charming movie.

Elizabeth Blane (Dyan Cannon) is the host of a television cooking program. She’s like Martha Stewart, with perfect culinary and homemaking skills. Except it’s all a charade. She doesn’t have a husband, children or grandchildren. Her assistant Josie (Kelly Cinnante) does all the cooking for her. Everything in her life is manufactured, and while she doesn’t find it very satisfying, it seems to be working okay for her until her seedy agent Alex (Tony Curtis) discovers that Jefferson Jones (Kris Kristofferson), a forest ranger who is a national hero after saving a boy lost in a snowstorm, has a copy of her cookbook. In fact, it’s one of the few possessions he still has, since while he was off on his rescue mission his cabin burned down. Smells like a Christmas special in the making!

Alex quickly finagles a plan to film a live special with Elizabeth and Jefferson, preceded by several days during which he will stay with her and her makeshift family in the cozy Connecticut home she pretends is hers. Alex will pose as her husband, while Josie, with her aspiring actor husband Tyler (Gene Lythgow) in tow, will be Elizabeth’s daughter. They’ve also rented a pair of grandkids for the occasion; savvy Kevin (Jimmy Workman) knows how much is on the line and never misses an opportunity to do a little blackmailing, while infant Melissa forms a surprising bond with Tyler. Helping maintain some sanity is the serene housekeeper, Norah (Vivian Bonnell).

Jefferson is bemused as he wanders into this chaotic scene. He’s a humble man, quiet and polite, and though it’s clear from his bewildered expressions that he finds some of their behavior baffling, he doesn’t pass judgment on this crazy crew, nor does he seem to suspect that it’s all an act, at least not initially. I’ve been a fan of Kristofferson ever since I saw him in 1996’s TV movie Tad, in which he pulled off a magnificent portrayal of Abraham Lincoln. He’s really the one who makes this movie so watchable. In a house full of artifice, he breathes authenticity. Besides, I’m a real sucker for forest rangers, and he carries himself like a true outdoorsman.

Basically, Jefferson gets to be the straight man here. These sophisticated New Yorkers may look on him as a bit of a yokel, but they’re the ones who wind up with all the slapstick moments, particularly oafish Alex and overdramatic Tyler. And since Elizabeth is at the heart of this whole thing, she keeps getting thrown into ridiculous situations as she is forced to try to live up to her reputation. As she begins to develop very real feelings for her guest, however, she begins to wonder whether it might be time to drop the act altogether.

I have to give credit to Chuck Colwell for his cinematography, as the whole movie, especially the outdoor scenes, looks absolutely gorgeous. The image of Elizabeth and Jefferson gliding down the road in a horse-drawn sleigh as powdery snow falls is about as close to a perfect Currier and Ives picture as one could ask for. There’s also some lovely music courtesy of a group of carolers. Of course, some elements of the movie are pretty silly, most notably the idea that Elizabeth could convince the world at large for years that she had a family when all it would take is one person to blow her cover. She sure couldn’t pull it off today. And some of the scenes are relentlessly stapsticky. But the movie is balanced enough that I found I didn’t mind instances of trees falling over or people tripping over marbles strewn across the floor. And I found David Arnott’s brief role as the spastic director trying to salvage Elizabeth’s disastrous Christmas special completely hilarious.

I’m not sure why Arnie directed just one movie and then gave it up. But if he decides to take another bash at it after his Governator days are over, Christmas in Connecticut has convinced me that it wouldn’t be such a bad idea.

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