One of the most beloved stories in the Christmas canon is The Little Drummer Boy,
a tale that has spawned many similar stories about those who have
little to give but are rewarded for their humble offerings. I tend to
place stories under the category of this song, though it wasn’t the
first of its kind. An early example is The Clown of God,
a centuries-old French tale, and far earlier still is the Biblical
account of the widow’s mite. Nonetheless, when I encounter this type of
tale, my first thought is “Drummer Boy”.
When I saw the title Drummer Boy, I figured that this picture book by Loren Long was simply a direct adaptation of The Little Drummer Boy.
But a glance at the cover revealed that this story would be a little
different. The “boy” in question is a toy, a stalwart little toy drummer
with a red coat, blue pants, black shoes, a blue and yellow hat, silver
buttons, yellow epaulets, a black belt and, of course, a little green
and yellow drum. He’s a snazzy-looking toy, and he sounds even better
than he looks, or so we are given to understand by the reactions others
have to him.
In this tender story, the titular drummer is the
beloved possession of a young boy. One day, he is accidentally tossed in
the trash and winds up at the garbage dump, the first step in a long
journey that will allow him to spread his song all over the city. In
some ways, this reminds me of Toy Story, though the drummer handles his predicament with far more grace than Woody.
He’s all alone, but wherever he goes, he earns the respect of strangers
who are mesmerized by his music. A rat hears the gentle beat and ceases
its snarling. The soft tapping lulls hungry owl chicks to sleep. He
plays for audiences big and small, at one point treating the city at
large to his march as he stands atop a bell tower. Throughout his entire
ordeal, he is content, cheerfully sharing beauty with whoever is
willing to listen.
Drummer Boy is the first book that
Long wrote, though he previously illustrated others. While the story is
wonderfully sweet, it’s the soft acrylic paintings that really capture
the imagination, with expansive two-page spreads capturing the beauty of
the winter landscape and close-ups on faces transfigured by the drummer
boy’s profoundly moving solo. This is not a retelling of that classic
song, but Long does not neglect the birth of Christ; the book gently
concludes with the drummer performing yet again, this time in a Nativity
set.
Drummer Boy isn’t quite the story I expected, but
it is thoroughly endearing, one of the most charming Christmas books
I’ve encountered in the last couple of years. Invite this little fellow
into your home, and I predict that you too will be enchanted.
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