When I think of hyenas, my first association is usually the word "laughing." Films such as The Lion King have only strengthened the connection I make between hyenas and laughter. As I learned in Janell Cannon's Pinduli,
it is spotted hyenas that make such a ruckus with their apparent
amusement. The book's title character, however, is a striped hyena, and
she is not the one doing the laughing...
Pinduli's mother
insists that her young daughter is the most beautiful hyena in the
world, and for a while, safe in the shelter of her mother's warm fur,
Pinduli believes it. But one day she ventures off on her own, and the
cruel reactions of several neighboring animals to her appearance cause
her to reconsider her mother's opinion. Soon she is plagued by doubts,
her self-worth shattered, but in an attempt to hide herself from the
world she hits upon a clever plan to get her fellow savanna-dwellers to
see the error of their ways.
Cannon has a warm writing style
that packages biological and moral lessons into a thoroughly engaging
story. Each two-page spread has one full-page illustration in glorious
color and one page of text, which usually consists of two or three
somewhat short paragraphs. Also included on the pages with text are
small line drawings showing Pinduli's mother waiting for her daughter.
She has a few adventures of her own, but the young hyena is the focus
here, wandering aimlessly with an ever heavier heart.
Pinduli reminds me of A Snoodle's Tale,
a Dr. Seuss-inspired VeggieTales video about a young creature whose
dreams are dashed when several townsfolk berate him for his size and
so-called lack of artistic ability. It takes a trip to a Mysterious
Stranger who resides in a cave far above the city to restore some
self-confidence. Pindula has no mountaintop sage to comfort her, but she
does have her mother, and ultimately she must decide whose opinion is
more important to her. Along the way, there's an amusing and useful peek
at the ancestry of an insult that shows how one ill-considered unkind
word can have far-reaching repercussions.
Cannon's
illustrations, done in acrylics and colored pencil, are breathtaking as
always. Hyenas aren't quite so reviled as some of the other subjects she
has taken on, but once again Cannon presents a creature considered by
many to be undesirable and makes it utterly irresistible. Along with the
hyena, we get jolly black dogs, a sardonic old lion, cheeky zebras,
spooked wildebeests, a hunched vulture, a tiny fox and a bald marabou,
among others, all against the stunning backdrop of a deep blue sky and
blazing sand blending delicately into one another. After the end of the
story, Cannon provides four pages of textbook-style information about
various kinds of hyenas and how the three main contentious issues in the
book - hair style, stripes and big ears - affect certain members of the
animal kingdom.
With such a variety of animals to take in, children needn't have a particular passion for hyenas in order to be drawn into Pindula,
but by the time the book is over, I'd be surprised if they don't decide
that a hyena is quite the beauteous creature after all.
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