Wednesday, September 9, 2009

Two Paper Companies Are Better Than One In The Office: Season Five

This past Christmas, my brothers got my parents and me hooked on NBC's workplace sit-com The Office. We breezed through four seasons in a few months before playing catch-up with the fifth season online. It's the only season of which we saw some of the episodes as they aired. With 23 episodes, it's nearly twice as long as the strike-shortened fourth season, and although affable salesman Jim (John Krasinski) and sunny receptionist Pam (Jenna Fischer) are officially a couple and nothing comes along to threaten their relationship much, all sorts of other entanglements are happening around them.

In the beginning, the big question on the Jim and Pam front is when Jim will pop the question, since it's obvious he's been burning to do so for a long time and is simply waiting for the right moment. The inevitable engagement scene comes early in the season and is surprisingly underplayed, considering how much buildup was behind it. They're also forced to endure long-distance romance while Pam takes art classes in New York, though this doesn't last long.

Meanwhile, preppy warbler Andy (Ed Helms) remains engaged to prissy accountant Angela (Angela Kinsey), but he as he eagerly makes wedding arrangements, she has covert meetings with her old flame, the relentlessly eccentric Dwight (Rainn Wilson). Clueless boss Michael Scott (Steve Carell) finally gets his shot at true love with the new public relations person, the daffy Holly (Amy Ryan), but his life takes a turn for the worse when David Wallace (Andy Buckley) from corporate get wind of their romance, which breaks company policy.

The most surprising story arc of the fifth season involves Michael's rash decision to leave Dunder Mifflin after David hires the no-nonsense Charles (Idris Elba) as an intermediary between himself and Michael. Dunder-headed Michael has no idea how to get along in the world outside of his cozy position, and he seems likely to flounder, especially when he announces that he will be starting up his own rival paper company. However, Pam demonstrates initiative and loyalty by offering to join him in his new venture, and it isn't long before Michael tracks down former know-it-all intern Ryan (B. J. Novak), now working in a bowling alley, and convinces him to join the team. The three of them have an interesting dynamic, with Pam the go-getter who keeps the project from unraveling and Ryan the useless tagalong. Back at the office, Angela and flirtatious Kelly (Mindy Kaling) compete for the favor of the nonplussed Charles, and Dwight struggles to retain his clients in the face of the sudden threat from Michael.

Dwight is the most outlandish character in a show full of kooks, so many of the season's most memorable scenes belong to him. Crime Aid has him emulating Jud Fry in an amusing parody of Oklahoma!'s auction scene. In Moroccan Christmas, he brings to mind the Tickle-Me-Elmo and Furby crazes as he stocks up on the year's "it" toy and charges his officemates exorbitant rates for their children's satisfaction. Prince Family Paper is Dwight at his most infuriating, undermining Michael's soft-hearted decision not to use the information gathered on a Mom and Pop paper company during an undercover mission against them, as is Stress Relief, in which Dwight goes so overboard on creating a realistic fire alarm that Stanley (Leslie David Baker) has a heart attack.

My very favorite Dwight moment of the season occurs in conjunction with Andy in The Michael Scott Paper Company, in which the two, caught up in rivalry with each other even as they try to nourish a friendship, throw together a guitar-banjo rendition of John Denver's Take Me Home, Country Roads that is more like Dueling Banjos. It was a sublime surprise for this John Denver fan - particularly as they happen to be singing for the benefit of a character named Erin - followed by a disagreeable jolt when wet blanket Toby (Paul Lieberstein) cut the concert short.

We watched part of this season out of order, and it didn't really make much of a difference. It's best to watch episodes of The Office is the proper sequence, but it isn't critical to one's enjoyment or understanding. The shake-ups that occur in the fifth season are entertaining, and several developments in the final episode set us up for excitement in the sixth, which is already upon us. I can hardly wait!

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