Tuesday, September 29, 2009

Edward Cullen Sets Hearts Aflutter in Twilight

I first heard of Twilight two or three years ago when a couple of my friends began gushing about how much they loved the series. Gradually, I noticed that more and more of my friends had read it, and with the release of the movie last year, anything connected with Twilight flew off the shelves of the kiosk where I was working. I heard comparisons to Harry Potter and followed along with discussions about its literary and spiritual merits. Finally, I decided that I needed to check it out for myself.

Twilight is the first book in the series. It’s narrated by Bella Swan, the nondescript daughter of divorced parents who has just left her emotionally immature mother in Arizona for her preoccupied father in dreary Forks, Washington. Bella is a bit of an oddball who doesn’t mingle naturally with others. She manages to make a few friends at her new school but is fairly bored by their interactions. The only thing that makes her new life bearable is her fascination with one particular group of students, a cluster of gorgeous, aloof siblings, one of whom sits next to her in science class. His name is Edward, and it doesn’t take long for him to turn into an all-encompassing obsession.

Bella has a few distinct traits. She’s described as having brown hair and pale features. She’s absurdly klutzy, constantly inflicting injury on herself. On the other hand, she’s industrious, a good student and a capable housekeeper who cheerfully takes care of all the household tasks, especially cooking. She’s also kind-hearted, despite being rather wrapped up in herself. On the whole, however, she’s not an especially well-defined character, and I get the impression that author Stephenie Meyer mostly intended for her readers to insert themselves into Bella’s shoes, to become her for the duration of the series. Because nobody, it seems, reads the books for Bella. They read it for Edward.

Edward Cullen is a 17-year-old with hard, alabaster skin, bronze hair and angelic features. He’s seductive, chivalrous and wholly devoted to the frail, plain Bella, who can’t understand why anyone as perfect as him would single out someone as average as her. To some extent, one could say that it was love at first sniff. No one in the world smells as beautiful to Edward as Bella does. Unfortunately, that makes their relationship Bella’s most dangerous circumstance yet, because Edward is a vampire. A vampire who has no intention whatsoever of giving into his thirst for Bella, but who suspects the best way to avoid that possibility is to stay away from her altogether. But Edward is just as deeply in love as Bella is, so abandonment isn’t that easy.

It’s easy to see the attraction of Edward, as well as the objections. On the plus side, here is a man who is never going to age physically. He’ll always be young and gorgeous. What’s more, he’s incredibly romantic and protective. And, at least at this point, his courtship with Bella is quite chaste. On the other hand, he’s about a century old, which makes his dalliance with Bella a tad creepy, especially when one considers the fact that he sneaks into her house at night, sometimes when even she isn’t aware of it. He’s also very condescending, and he doesn’t really offer Bella the chance to make decisions for herself.  Additionally, though he is always worried about Bella hurting herself, he drives like a maniac while she is in the car with him, laughing as he lets the spedometer creep up to twice the speed limit. 

Though the Harry Potter comparisons are what I most often hear, the similarities there are limited. Of course, Robert Pattinson plays Cedric in one film series and Edward in the other. Both series have stirred up considerable controversy. Both concern a supernatural population kept hidden from the greater public. Moreover, Bella’s attraction to Edward’s “family,” who in fact are not related to one another at all, feels similar to the delight Harry takes in the Weasley family. But Bella has parents of her own, and though they are separated, each clearly cares about her a great deal, so she’s hardly an orphan. Additionally, while J. K. Rowling’s world is full of color and inventive elements, Meyer’s is drab and shadowy, and melodramatic Twilight could sorely use a dose of Rowling’s humor. One might argue that both series are ultimately about one thing: love. But Harry Potter delves most deeply into the idea of sacrificial love, while Twilight is all about romance. A romance for which Bella may indeed sacrifice her life as she knows it, but the benefit, it seems, would be to her and Edward alone. This is a lot less like Harry Potter than it is like Romeo and Juliet. Bella and Edward are all wrong for each other, but they’re determined to have a go at it anyway.

While I understand why Edward is so appealing, Meyer lays the adulation on a little thick. Scarcely a page goes by in which Bella fails to mention some element of his perfection, and she quickly runs out of new ways to say it, so the novel starts to sound pretty repetitive. To be honest, I found myself much more interested in some of the side characters, particularly Edward’s bubbly, compassionate “sister” Alice, who is able to catch glimpses of the possible future, and warm, heroic Cullen patriarch Carlisle, who is the oldest of the bunch and has become so disciplined after centuries of practice that he is able to work as a surgeon without being tempted by the smell of human blood. He and the others in his family feast only on animal blood, making them less of a threat than just about any other vampires in the world. Nonetheless, not all members of the family have Carlisle’s self-control, so they still aren’t exactly safe, at least as long as Bella is human.

Going back to Harry Potter, that series is quite preoccupied with death, and so is Twilight. All of super-villain Voldemort’s actions are motivated by his desire to conquer death, and we see other characters toy with that prospect. Ultimately, the series seems to confirm headmaster Albus Dumbledore’s comment that there are things far worse than death, and at the moment, this is how Edward feels. But Bella desperately wants to bypass the natural order of things in order to become an equal to Edward, no longer a liability, no longer doomed to grow old while her true love remains young and vital. Bella is determined to be transformed into a vampire, despite Edward’s fear that becoming a vampire destroys one’s soul. This conflict finds no resolution in the first book, but the two points of view could create some interesting fodder for discussion.

I’m only halfway through the series myself. I’ll probably finish it, but I’m not committed to doing so. These are not characters who have seeped into my soul, and after two more books, I doubt they will be any more real to me than Lemony Snicket’s Baudelaire orphans - and at least those books were hilarious. Nonetheless, as I was reading, I couldn’t stop turning the pages. I was engrossed enough that I had to know what would happen next and impressed with the many positive qualities various members of the Cullen clan display. I wouldn’t recommend the series to children younger than high school, and I do think that parents would do well to read the books themselves so they can talk about some of their more unsettling elements; some worthwhile conversations could result. As for me, I’ll still take Cedric Diggory over Edward Cullen – and Neville Longbottom over Cedric Diggory – but I see no need to toss Edward on the bonfire.

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