Poor Leonardo DiCaprio. It must be hard to go from the most popular guy
in Hollywood to the laughingstock is just months. Leo was a victim of
his own success, grinning out from king-size posters, whispering
fervently on that annoyingly spoilerific radio version of My Heart Will Go On
(which must have played about once an hour) and appearing in various
forms in the lockers and notebooks of millions of teenage girls across
the country. It was overkill, and for a while I wondered whether we’d
ever see him again. He seemed to drop almost entirely out of view. Then I
saw Catch Me If You Can.
It’s five or so years later,
and Leo once again is cast as a teenager, just 15 at the earliest point
in this movie’s chronology. The teen in question is Frank Abagnale, Jr.,
a sweet-natured kid who turns con man in order to evade the
responsibility of choosing which parent to live with after their
divorce. Once his ingenious schemes begin and he starts to make money,
he becomes determined to earn enough to replace everything they lost
when his father (Christopher Walken), a bit of a con man himself, got
caught and had his assets seized.
I can’t help but be reminded
a bit of Huck Finn with Frank Abagnale, even though the circumstances
are entirely different. Both are kids who are absolutely brilliant when
it comes to pulling off highly improbable schemes. Moreover, both start
running because of their fathers, though Huck hates his Dad and Frank
adores his. At any rate, there’s something very appealing about this
young man. He’s very likable, and nothing he does has malicious intent.
When Frank begs Carl Hanratty (Tom Hanks), the agent who has been
chasing him, to call a truce, we wish he could just give up the game
with no consequences.
DiCaprio does a fantastic job as Frank,
giving us just the right combination of sweetheart and wise guy. It’s
come to the point at which it seems silly to even entertain the
suggestion that Tom Hanks could be lousy in a movie. His
performance, complete with a heavy New York accent, certainly measures
up to DiCaprio’s. While Hanratty is a bit harsher than most of the
characters we are used to seeing Hanks play – as demonstrated in an
amusing scene that may have been what earned the film its PG-13 rating –
he is really a decent guy, and it becomes evident that as aggravated as
he is by the fact that Frank keeps slipping through his fingers, he has
come to care about the teenager.
Walken turns in a rather
haunting performance as Frank Sr. We get the sense that his son is
succeeding where his father failed. His father is proud and perhaps a
bit jealous as well, and he doesn’t see surrender as a viable option.
His son has the Feds on the run; that should be enough to make him
happy. Amy Adams turns in a sweet performance as insecure Brenda Strong,
a candy-striper to whom Frank becomes very attached during his tenure
as a doctor. When she brings him home to meet her parents, he has to
reckon with her father (Martin Sheen), who seems intimidating at first
but turns out to be a big softie. I really enjoyed his scenes with this
family and, as a Lutheran, found their devotion to that denomination
charming.
There’s something vaguely campy about the style of
this movie. It’s a drama, but it has almost equal parts comedy. As Frank
runs the gamut of impersonations – substitute teacher, airline pilot,
doctor, lawyer – he relies as much on his charisma as his impressive
check-forging skills. There are many scenes demonstrating his remarkable
quick thinking, and these are generally the most riotous in the film.
His first encounter with Hanratty is especially hilarious.
Catch Me If You Can is a fun movie with a largely happy ending. Like The Terminal,
it’s light-hearted enough that it probably won’t go down as a milestone
in the careers of its main participants. But it’s an enjoyable couple
of hours with little objectionable content, and it was what convinced me
that DiCaprio’s career is far from over. Catch yourself watching Catch Me If You Can.
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