Saturday, August 9, 2003

Piglet's Big Movie Showcases Pooh's Big Ego

Anyone who knows me can attest to the fact that I am a Pooh fanatic, so when I saw the previews for Piglet’s Big Movie, I couldn’t wait to go. Unfortunately, I didn’t make it to the theater in time, but I snatched up a copy when I spotted it on sale last week. I’d heard reviews proclaiming it the best Pooh movie ever, and the fact that Carly Simon was doing the soundtrack seemed promising as well. But when I actually played it, I found myself rather disappointed.

Don’t get me wrong. It’s a Winnie-the-Pooh movie; you can’t go too far astray. It's cute, it's warm and fuzzy, there's a happy ending. The film’s premise seems simple enough, and one that has been visited many times in various Pooh chronicles: Piglet doesn’t feel big enough / brave enough to do whatever it is that he has to do. Eventually, by the end of the adventure, he will feel big enough / brave enough. But that’s not quite the problem here. Throughout pretty much the whole movie, Piglet does feel big enough and brave enough, but his friends don’t seem to see him that way. And while they set off to rescue Piglet after a honey-collecting escapade gone bad, Piglet sets off to rescue them.

All this results in some very muddled characterizations. These timeworn characters just don’t seem to be acting themselves, particularly towards the beginning of the movie. Piglet wants to do great things, and he does – for instance, in the opening scene, he temporarily averts disaster by trapping a swarm of irate bees in a papier-mache hive. When no one recognizes him for his contribution, he begins to protest, then simply looks sullen. He does this often in the movie.

But Piglet isn’t really the problem. It’s the others, particularly Pooh, who has always been Piglet’s best friend. When Piglet arrives on the scene, all Pooh can say is “Don’t get in the way of our big plan, Piglet.” After Piglet saves the day, he tells Piglet he is sorry that he could not help with their big plan. The others similarly give Piglet the brush-off. As they congratulate one another on a job well done, they remind me very much of the song in My Fair Lady in which Mr. Higgins and Colonel Pickering crow over their achievement in reforming Eliza Doolittle while she stands by feeling very unappreciated.

The bulk of the film is flashbacks: of the time Kanga and Roo moved to the forest, of the time the House at Pooh Corner was built, of the time the North Pole was discovered. These are fairly true to Milne’s text, with a few alterations. Chiefly, a number of Heroic Deeds By Piglet are added, although after the flashback to the North Pole Expotition concludes, all Pooh can think to say is “Hooray for Pooh.” Additionally, these flashbacks are quite lengthy, and it’s easy to forget this is taking place in the past and wonder why Piglet is back in the picture.

A couple other little quibbles. Rabbit keeps saying that if it weren’t for Piglet, he and Roo wouldn’t be such good friends. Since when are Rabbit and Roo so close? Roo’s always spent most of his time with Tigger! At one point, one of Piglet’s scrapbook drawings gets smudged with water. Others become smudged as well. But later, they are fishing pages out of the stream and they are perfectly intact. Finally, after being gone for the whole movie, Piglet miraculously appears out of nowhere at just the right time. Well, I guess this is fairly typical, but I’m just being ornery!

After this litany of complaints, I really should say that I’m probably overstating my case. Maybe they’re trying to be truer to the books; I’ve been spoiled by the pure altruism of the Disney Pooh. Milne’s Pooh was a bit more self-serving. The music is good, the animation is good, and there are several moments in the movie that are particularly touching or funny. One scene that struck my funny bone was when Tigger and Pooh were trying to distract Kanga, and they started up this banter about some type of marine animal being up in a nearby tree. Moments later, as Tigger explains to Pooh that you would recognize a jellyfish because it would say “I’m a jellyfish!”, we get a shot of a fish sitting happily on a tree branch.

The gang of course comes to the right conclusion in the end. Piglet is a Very Small Animal who does many Very Big Things. It just seems to me that this is something they all had figured out a long time ago. They always appreciated Piglet before; if he got left out of things, it was because he insisted upon it. Why change the characters for the worse only to allow them to have a revelation they don’t need? We always knew Piglet was a Very Important Pig with Very Good Friends. It shouldn’t take a whole movie to get him there.

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