I’ve been making very good use of my Netflix Instant Viewing account
these last couple of months due to frequent bouts of long-distance
synchronized movie viewing. While the selection in that format still
isn’t nearly as good as it is through the DVD program, plenty of classic
movies are available, among them Steel Magnolias, one of those films I’d always heard of but never really knew much about.
Steel Magnolias
revolves around sweet but defiant Shelby, played by Julia Roberts. A
sickly Southern belle, she knows that having a baby could wreak havoc on
her health, but she is determined to be a mom, and the wedding that
occurs near the start of the movie is soon followed by a pregnancy, much
to the aggravation of her overprotective mother M’Lynn, whom Sally
Field portrays just as forcefully as she does Forrest Gump’s spunky
mama.
Surrounding these two is a circle of supportive women
that includes feisty Truvy (Dolly Parton), a silver-tongued hairdresser;
naive Annelle (Daryl Hannah), a newcomer to town in search of herself;
and bickering old friends Clairee (Olympia Dukakis) and Ouiser (Shirley
MacLaine). Truvy’s colorful colloquialisms are always good for a
chuckle, and it’s fun to see how Annelle’s look changes from season to
season, but the most entertaining member of this close-knit group is
Ouiser, who revels in her own grouchiness.
While there are
several men of significance in the movie, particularly Shelby’s husband
Jackson (Dylan McDermott) and laid-back dad Drum (Tom Skerritt), these
female friendships really form the core of the movie. The performances
are all very strong, and the setting almost feels like a character
itself as we see the town at several different times, gorgeous in its
own way in each. Easter and Christmas are particularly memorable in the
way they relate to the events in the lives of the characters.
Steel Magnolias
is one of those movies containing a mix of genres. At times it feels
very much like a comedy, but it also has powerfully dramatic moments,
and the two seem to dance around each other with a striking grace. While
the movie is more focused on women, it’s certainly not for an
exclusively female audience, and the man I watched it with has long
considered it a favorite. I felt acutely aware of my freakish
near-inability to cry at movies as the film neared its bittersweet
conclusion, but I certainly felt the emotion of several pivotal scenes
and laughed heartily at others. I’m glad I can finally check this movie
off my Must Watch list and transfer it to my list of films I would be
happy to see again.
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