A couple months ago, I watched the remake of Footloose, which inspired in me the desire to see the original movie, along with Dirty Dancing. While I still have yet to witness Kevin Bacon tripping the light fantastic, I can now check Dirty Dancing off my list of must-see movies.
As I started to watch this the other day, I was surprised at the
setting. Considering that this is a quintessential 80s movie, I assumed
it took place in that decade, but it’s actually set in the 1963, which
upped the appeal for me. The soundtrack is filled with familiar oldies,
and the naivety of the main character reflects a more innocent time,
though some of the circumstances she encounters remain prickly to this
day.
That main character is Baby, portrayed by Jennifer Grey
with timidity that blossoms into self-assurance. Baby is a sheltered
rich girl who worships her father, a genteel doctor played by Jerry
Orbach. Unlike her vapid sister Lisa (Jane Brucker), Baby is a
globally-minded intellectual, and her dreams include getting an Ivy
League education and joining the Peace Corps. However, when her family
takes a long vacation at a picturesque resort in the Catskills, her
focus shifts as she becomes entranced with a tough-talking dance
instructor named Johnny (Patrick Swayze).
This is a
coming-of-age story, and it’s hard to say who is more surprised at the
metamorphosis Baby undergoes, her father or Baby herself. Far from a
natural dancer, she initially stands in awe of Johnny and his dance
partner, Penny (Cynthia Rhodes), whose skill on the dance floor masks an
otherwise troubled life. While Penny is initially snide and dismissive
toward this visitor, a grudging respect develops as Penny is forced to
forgo her role and Johnny trains Baby as his replacement partner for a
big upcoming performance. As in Karate Kid, Rocky and many
other movies about novices training for an important event, we see
Baby’s clumsiness gradually give way to grace, with plenty of amusing
missteps.
As much as the story is about Baby gaining the
ability to dance a complex routine, it’s equally about her walking the
tightrope between childhood and adulthood and redefining her father’s
role in her life. A terrible tension develops between them as she
deceives him and he struggles with her romantic involvement with a man
well into adulthood. Orbach does a masterful job of conveying the pain
of this adjustment in a way that allows us to sympathize with father and
daughter alike.
Of course, a lot of the movie’s popularity
lies in the visual spectacle of dance in its various forms, the more
intimate the better. Swayze and Grey have excellent chemistry, with him
taking the lead but her confidence growing with each subsequent practice
until they’re finally ready to strut their stuff before a slack-jawed
audience. It’s a sweet but steamy tale of romance born of a shared
passion. However, even if you take that out of the equation, it carries
the encouraging message that no matter how hopeless you think you are,
if you work at something hard enough, you’ll probably be surprised at
how much you can accomplish.
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