Over the past couple of decades, Jane Austen’s popularity has soared,
sparking a whole sub-genre of books incorporating her life and
characters. Knowing my fondness for this literary giant, a friend of
mine recently lent me her collection of Austen-inspired books. I kicked
off my reading marathon with The Lost Memoirs of Jane Austen, a novel by Syrie James that purports to be a long-missing manuscript explaining a gap in the author’s writing life.
The voice that James adopts as Jane feels authentic to the period,
albeit more conciliatory than I would imagine. Austen is known for her
razor-sharp wit, and she could be quite merciless with her descriptions
and dialogue. Here, she seems more like Pride and Prejudice’s
Jane Bennett, generally seeking to believe the best in people and making
excuses for any shortcomings that arise. Hence, she comes across as
more charitable but less funny than expected.
Additionally, at
a few points, James so closely mirrors scenes from Austen’s books that
it seems a discredit to her creativity, as the implication is that she
simply lifted events from her own life and planted them on the pages of
her novels. While most of the footnotes are informative and shed light
on Austen’s background and the general historical period, I found myself
annoyed by the ones that said, in reference to an invented conversation
mirroring one of the novels, “This is likely the inspiration for…” It’s
cheesy, and I think the book would have been stronger if readers had
been left to recognize those parallels on their own.
On the
whole, however, I found it an enjoyable read, with the close
relationship between Jane and her sister Cassandra especially
well-drawn. Reading this book, I got the sense that this was a woman who
very well could have vanished into obscurity without ever having been
published, and what a loss that would have been! Reading of her attempts
at writing at a time when she thought it folly was heartening for this
struggling storyteller.
It has puzzled many Austen fans that
some of the most enduring romance in English literature could have been
crafted by a spinster who had never experienced it herself. While I
simply credit Austen’s vivid imagination, the romance James invents here
feels plausible, and it was easy to get caught up in it even though I
knew that it ultimately would not work out. That still left plenty of
room to speculate about how and why it concluded. Was it a matter of
economics? Mistaken impressions? A fear that marrying would deny her the
time she needed to write? These questions helped the ending retain an
element of surprise despite having it spelled out at the beginning.
I was never quite able to forget that this was a novel, but even if the artifice didn’t entirely convince me, The Lost Memoirs of Jane Austen is an engaging read for those who enjoy Austen’s work.
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