Thursday, September 22, 2011

The Night Before Christmas Caps Mary Travers' Legendary Recording Career

Few poems have captured so many imaginations as Clement C. Moore’s A Visit From St. Nicholas. Nearly two centuries after its first publication, it remains ever-popular, particularly in the realm of picture books. Last year saw the release of The Night Before Christmas, a lavish Imagine Publishing book with paintings by Eric Puybaret and a three-track CD by Peter, Paul and Mary. Indeed, this bonus album – particularly the second track – appears to have been the main reason for this edition.

I received the book for Christmas last year, but I heard about it earlier in December when Peter Yarrow and Noel Paul Stookey were making the morning show circuit talking about the book, which they dedicated to Mary Travers, who died in 2009 of complications from leukemia. While the first and third tracks on the CD are, as best as I can determine, gleaned from the trio’s live Holiday Celebration concert in the 1980s, the second track features Mary reading the story, with background music added later by Peter and Paul. It was her final recording, making this a very special keepsake for Peter, Paul and Mary fans.

I’m certainly one of those, having been introduced to the group by an aunt determined to make an enthusiast out of me. At least, that was the first I recall being specifically aware of them as a trio, though I know I first heard Puff the Magic Dragon as a toddler, and while I might have been mostly familiar with kiddie versions, I find it hard to believe I made it to the age of eight without hearing their original rendition. In any case, could the gal who loved the soothing harmonies and intricate lyrics of Simon and Garfunkel fail to fall for the grassroots power and vocal majesty of Peter, Paul and Mary? It was only a matter of time.

In Mary’s recording, her voice teeters on faint; it’s plain that she is not as robust as she once was. Nonetheless, her reading sparkles with warmth and enthusiasm, and the playful background vocalizations of her old friends are an affectionate tribute to their bond. In the first track, Paul sings the song to guitar accompaniment, filling the melody he co-composed with expressive nuances. He sings with such laughter in his voice that smiling along is practically inevitable. The third track is A-Soalin’, a complex acoustic song about carolers singing for their supper. It doesn’t have a very direct connection to the book, but it is a harmonious song of Christmas cheer, and it also happens to mention the names Peter and Paul.

Obviously, this edition is of particular interest to fans of this iconic folk trio, but it’s an excellent find for anyone looking for a handsome copy of the poem for the family library. The paintings are vibrant, with rich yellows, deep reds and a hushed bluish-white blanket of snow surrounding the house in which St. Nicholas makes his grand appearance. Unusual elements include the verdant robes the reindeer wear, the creative and seemingly homemade toys found throughout the house and the tiny, luminescent fairies who flit through the living room as St. Nick leaves his gifts. The poem is entirely intact, and this is about as straightforward a version as you are likely to find. I was a bit surprised that the narrator drops out of the illustrations after throwing up the sash in his room, but this leaves more room to zero in on the character kids are most interested in.

If you don’t have a picture book version of Moore’s poem in your home, consider getting this one. If, like me, you’ve encountered multiple versions and have a tough time deciding on a favorite, you’ll definitely want to add this one into the consideration. Imagine Publishing’s The Night Before Christmas is a timeless edition of a classic tale and a last labor of love for a trio whose output spanned half a century and whose influence will go on much longer.

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