Last year, my friend Libbie and I watched Kit Kittredge: An American Girl,
the first big-screen adaptation of the American Girl series of books
and dolls that features young heroines from a variety of historical
periods. Plucky Kit is a Depression-era aspiring journalist, and her
story, set in 1934, seems to resonate especially deeply during this time
of financial uncertainty. We both enjoyed the movie, so when Libbie got
ahold of the book collection and suggested I read it too, I happily
complied.
I became familiar with American Girl when I was
about 10, and I read several of the books involving pioneer Kirsten,
Victorian Samantha and World War II-era Molly. Kit came along later, but
her stories follow the same basic pattern. Each series features the
same six titles, but with different character names. In this case, the
introductory volume is Meet Kit, and it tells us everything we need to know about the young protagonist and her immediate family.
Valerie Tripp and illustrator Walter Rane fill their tale with details
pertaining to the time period; as the narration or one of the characters
brings up an object or concept that may be unfamiliar to modern
readers, a tiny picture of it is provided in the margin. The first of
these is the clunky old typewriter that Kit uses to type up the
“newspapers” she writes for her father and other members of her
household.
Marginal illustrations like this appear on nearly
every page, while each chapter also has one or two full- or half-page
paintings featuring Kit and the other characters. My favorite of these
in the first book shows a sulky Kit sitting on the steps, moping after
an unfair incident, while her understanding older brother Charlie tries
to put her troubles into perspective.
Having seen the movie
first, I found it interesting to compare some of the choices made in the
adaptation. For instance, Charlie is cut out of the film altogether,
and I can understand why, given the time constraints and the desire to
focus as much as possible on Kit’s independence. But in the books, he is
a warm, supportive presence, and he ended up being one of my favorite
characters. Similarly, Mr. Kittredge has a much smaller role in the
movie, but in the books, we get a fairly intimate look at his struggles
to provide for his family in the wake of his job loss.
Meet Kit
explains some of the reasons for the Depression and shows us how a
family’s situation could go from prosperous to precarious rather
quickly. Kit’s family lives in a large house, and she and her best
friend Ruthie, an imaginative girl who loves fairy tales as much as Kit
loves news briefs, have never wanted for anything. But the situation
hits close to home when Mrs. Kittredge’s friend is evicted from her
house, prompting Kit’s mother to offer a room to the woman and her
delicate, artistically inclined son Stirling. This act of generosity
inspires a way to stay afloat financially, a plan that means big changes
for Kit, especially in terms of her living arrangements and her chore
load.
Later installments deal more heavily with some of the
tricks and tools Kit and her family learn for saving money and
stretching meager materials. Though the stories are set 75 years ago,
many of the tips have modern-day applicability, making these not only
engaging tales that teach about the past but also treasure troves of
thrifty advice. The friendship Kit and Ruthie share and begin to develop
with Stirling is another positive aspect, as each is very different but
learns to respect each other’s strengths and perspectives. Later books
introduce a variety of other characters who further demonstrate the
importance of treating those who are different with compassion and
dignity. Meet Kit lays the groundwork for more powerful
encounters and deepening relationships, and once you have met Kit and
those closest to her, there’s a good chance you’ll want to visit them
again.
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