Back in the fall of 2004, my family took in an exchange student from
Germany. Shortly into her stay, she and my brother went to see Napoleon Dynamite
with a friend and invited me along. I accepted the invitation, eager
for any opportunity for a bonding experience. So we got to the theater,
watched the movie and waited outside for about an hour for my parents.
We talked about all sorts of random shmoo, but we didn't say a word
about the movie. None of us really knew what to say.
Napoleon Dynamite
is an oddity. It's a triumph of independent film-making, having quickly
achieved cult status as more and more teens and young adults cracked up
over the antics of its strange characters and repeated their
catch-phrases incessantly. Like so many other films before, it, Napoleon Dynamite
is about an unpopular high school student who manages to make good. In
this case, that student is beyond awkward. Hovering over the heads of
his classmates, Napoleon (Jon Heder)
glares out from behind thick glasses and under a mop of reddish curls,
gritting his enormous teeth and spitting out vitriolic words at whoever
crosses him. Almost every line is uttered with such agitated
exaggeration that it seems he should be swearing up a storm. It's
refreshing but jarring to note the lack of profanity; whenever he talks,
I can't help but feel as though I'm watching a poorly dubbed movie on
TBS. But then that is part of the movie's humor.
His manner of speaking is just so bizarre,
as is everything else about him. He explodes periodically with "GOSH!".
He emphasizes most statements with "pretty much", "freakin'" or
"flippin'". He draws hideous hybrid creatures and practices "sweet"
dance moves to corny '80s videos. He loves tater tots so much he stuffs
them in a zippered pants pocket for later noshing. He bellows
belligerently at his llama, builds a time machine and, when asked to
regale the class with a current event, launches into a fanciful account
involving explosives, the Loch Ness Monster and wizards.
Also
strange is Pedro Sanchez (Efren Ramirez), the glassy-eyed new student
whom Napoleon befriends after offering to show him the ropes at school.
Pedro seems to spend his life in a daze, always looking bored,
disinterested and utterly unengaged in the world around him. It's a
surprise, then, when he decides to run for class president, but it sets
us up for the nerds' inevitable shining moment. Deb (Tina Majorino, the
only cast member I recognized) is a friend of both boys, though she
associates more closely with Napoleon. She's very quiet and shy, but she
seems to like Napoleon, and he has no objection to her, even wooing her
with the ever-so-romantic observation that she's not fat, so she
doesn't need to drink one percent milk.
And then there's his
brother Kip (Aaron Ruell), a lisping wisp of a geek with thick glasses
and a peach-fuzz mustache who spends virtually every minute of the day
in front of the computer, often chatting with his dream girl, who turns
out to be the robust, hip, polar opposite LaFawnduh Lucas (Shondrella
Avery), who reminded me of Charlene in Bringing Down the House.
There's also Uncle Rico (Jon Gries), a slimy shyster who Napoleon
loathes, and Grandma (Sandy Martin), who's not in the movie much once
she takes a nasty tumble while ATV-ing on some sand dunes.
They're all as quirky as can be, but Napoleon is the one commanding the
audience's attention. We watch him in rapt fascination, wondering
whether anyone could really be this awkward. He's so off-kilter, and
there's such an aggressive manner about him, it's rather hard to fall in
love with him. He's not as likable as Sam, Neil and Bill from Freaks and Geeks, Luke from Joan of Arcadia, Damian from Mean Girls, Matt from 13 Going on 30...
But by the end of the movie, we can't help but like him a bit, despite
the fact that he usually seems ready to bite someone's head off. And if
nothing else, he provides plenty of amusing quotes to randomly
incorporate into everyday conversation. I don't know if I'd quite call
him "dynamite," but this movie boasts more sizzle than fizzle.
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