On February 12, 2000, the world lost the creator of one of the 
best-loved comics strips ever to grace the pages of the newspaper. 
Fortunately for us, Charles Schulz decided before he died to create a 
Peanuts biography in which he would comment on the birth and growth of 
the strip. This volume is Peanuts: A Golden Legacy. 
 
 The books begins with The Early Years,
 in which Schulz describes his childhood and early adulthood and 
explains the early influence of comics on his life. His nickname, 
Sparky, was given to him as an infant, in reference to the horse in the 
Barney Google comic strip. It was only the beginning of a lifelong 
interest in this artistic media. In kindergarten, Schulz was told by his
 teacher upon her viewing of a picture he had drawn, "Someday, Charles, 
you're going to be an artist." She was right. 
 
 The next section, The Beginning of Peanuts,
 deals with Schulz's creation of the strip which he had hoped to call 
L'il Folks. He would have to settle for a name he didn't like. Several 
of his earliest strips are featured here, and the characters are barely 
recognizable in their initial stages. As each new character emerges, 
Schulz makes commentary in the margins. Lucy, the "fussbudget", appeared
 in 1952. Linus made his debut several strips later. November 16, 1952, 
marked the first time Lucy pulled away the football. Pigpen showed up in
 1953, Linus began dragging around his security blanket in the mid-50s, 
and Lucy set up her psychiatric booth in 1959. Later that year Charlie 
Brown's sister Sally was born, and that Halloween the Great Pumpkin was 
first mentioned. By the end of its first decade, Peanuts had basically 
assumed the shape it would retain for the rest of its life. 
 
 
Hundreds of Peanuts strips are featured in this book, both in 
black-and-white and color. Nearly every page contains some sort of 
commentary by Schulz, and these side-notes are fascinating to read. Also
 included is a discussion of the Peanuts television specials, of which 
there have been over 75, and the Broadway production You're a Good Man, Charlie Brown.
 One section features a display of comic strips which have parodied 
Peanuts; another provides a sampling of letters, both complimentary and 
complaining, written to Schulz. Strips through August of 1999 are 
included, and the book ends with a note from Schulz in conclusion. He 
ends his remarks by noting, "To create something out of nothing is a 
wonderful experience. To take a blank piece of paper and continue 
drawing with the same pen and materials as when I started the strip in 
1950 is a real privilege. To draw characters that people love and worry 
about is extremely satisfying. I am happy that I have been allowed to do
 it for 50 years." 
 
 It?s a shame that he couldn't go on doing 
it for another 50, but he has left an incredible legacy behind him. This
 book is only the tip of the iceberg, but its 250 pages are a treasure 
trove of classic strips and memories and will be greatly appreciated by 
anyone who has grown to love Charlie Brown, Snoopy, and the rest of the 
gang. 
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