Don't Cast Away This Crop of Movies From 2000

It's funny to look a few years back and realize how few releases I've seen from that year. I would think that all the extra time would've given me plenty of opportunity to catch up, but by my reckoning I've only seen about 15 releases from 2000. So I certainly can't call this a definitive list, but I really did love these ten movies.

Cast Away - I've always had a special fondness for castaway stories, and Tom Hanks has long been one of my favorite actors. Reuniting him with the Forrest Gump dream team for a lost-on-an-island drama sounded like a formula for success to me, and boy, did it deliver. I'm still a little surprised Hanks didn't win for his demanding performance, which includes that grueling stretch of time with no one to talk to but a volleyball. And so compelling is Hanks that he makes Wilson's eventual departure rank high among my list of most tragic movie moments.

Almost Famous - This one caught my attention when I heard Simon and Garfunkel's America on the previews. When I saw it, I got an even heftier dose of my favorite band when the aspiring young music journalist purchased Bookends, and his horrified mother, hilariously portrayed by Frances McDormand, exclaimed that she could tell just from the album cover that they were on drugs. Simon and Garfunkel references aside, I would still be a big fan of this film that offers an inside look at the music business and the perils of potentially losing one's integrity in the pursuit of fame. In many ways it's like Tom Hanks' That Thing You Do!, but darker. Nonetheless, it ends on a pretty uplifting note.

Chicken Run - I love Wallace and Gromit, so I was excited to learn that the team that created that lovable duo would be doing a full-length film. Ultimately, I think Chicken Run is my favorite of all their projects. I spent much of the movie laughing hysterically; these bird-brained biddies are full of great one-liners, and the puns are relentless. The kids' meal tie-in toys and the more elaborate contraptions we snagged from the bargain bin that Christmas are great fun as well.

Fantasia 2000 - I always found Fantasia a strange animal, but there are segments of it I really love. Of course, one of those is The Sorcerer's Apprentice, which is repeated in the 2000 version. As for the rest, on the whole, I like the new segments even better than those in the original. Some of the animation is simply stunning, particularly during Pines of Rome, which features a magnificent pod of flying whales. Other favorites are The Carnival of the Animals, featuring an irrepressible flamingo who annoys the other members of his flock; Piano Concerto Number 2 in F Major, which is the backdrop for a cheerier version of Hans Christian Andersen's Steadfast Tin Soldier; and Pomp and Circumstance, which has a sweet and funny love story between Donald and Daisy Duck taking place on Noah's Ark.

How the Grinch Stole Christmas - The story of the Grinch competes only with The Lorax as my favorite Seuss story, so I was excited to see it come to the big screen. Though it is, in many ways, different from the book and animated special, I guess it was probably necessary to change the focus a bit in order to stretch it out to an hour and a half. The end result is pretty much the same, and along the way we get some absolutely dazzling visuals and the thoroughly endearing performance of Taylor Momsen as Cyndi Lou Who. Oh, and Jim Carrey makes a pretty convincing Grinch.

Miss Congeniality - Despite a fairly lame romantic subplot, this tale of a tomboy forced to go undercover at a beauty pageant is funny and touching. Sandra Bullock is terrific throughout, while Heather Burns is terribly sweet as the ditzy girl-next-door type she befriends. Michael Caine in a gentle mentorly role and William Shatner as a lovable doofus antagonized by Candice Bergen (prefiguring Boston Legal?) add considerable charm to this comedy.

My Dog Skip - A coming-of-age drama about a boy and his dog, it's a family film for the most part, though it does get to be a bit dark in places. All the elements of a great kid-and-animal-companion film are here, and not only is the Jack Russell made famous on Frasier clever and adorable, but young Frankie Muniz turns in an impressive performance that is sometimes emotionally heavy, particularly in scenes with Kevin Bacon as his strict dad and Luke Wilson as the troubled young man the boy idolizes.

Pay It Forward - I saw this one solely because of Haley Joel Osment, who became a good enough excuse for me to see any movie after I saw him in The Sixth Sense. He's terrific here as a slightly older boy with some similar issues; he lives alone with an overworked mom, he's not particularly popular with his peers, and he's angry. In this case, the root of his rage is not supernatural; he's upset with his mom for drinking so much and is worried that she might take back his abusive father. Like Cole, he finds a confidant in an older man, a disfigured teacher portrayed by Kevin Spacey, and a purpose in a brainwave that involves a pyramid scheme of random acts of kindness.

Remember the Titans - I'm not much of a sports buff, but I do love a good inspirational sports movie. This based-on-a-true-story film about a football coach struggling to racially integrate his team, in which many of the players are deeply prejudiced, is a powerful testament to the power of close human interaction in breaking down barriers. A stellar soundtrack and great performances from a cast that includes Denzel Washington and a pre-cheerleader Hayden Panettiere help make the Titans very easy to remember.

The Tigger Movie - This was almost certainly the most heavily advertised and merchandised of the various Pooh movies that have come out in recent years. Its clever posters and toys with the various characters dressed up in Tigger costumes were great fun; one of my favorite finds on my trip to England the following year was a nearly complete set of Happy Meal toys with the Hundred-Acre Wood residents all decked out in stripes. The movie is fun and bouncy but also sweet and reflective as Tigger discovers that his friends are his family, so he needn't feel too lonely as the only one of his kind. I love the new songs, with input by notable Pooh fan Kenny Loggins, and the tear-jerking tenderness of the conclusion. It's ever so much better than Piglet's Big Movie. If they ever get around to making a movie that revolves around Eeyore, I hope it turns out as well as this one.

I could definitely stand to see a few more movies from 2000, but I still think this is a fine representation of some of the best 2000 had to offer, especially for a softie like me.

An Angel Helps Bring Unity in The Preacher's Wife

Back in late November, I arranged my Netflix queue so that I would be getting nothing but Christmas movies for the next month or so. The first of my Christmas flicks was The Preacher's Wife, which I'd been meaning to see for quite some time. Though I knew it was a remake of The Bishop's Wife, which I'd never seen either, I opted for the more recent movie first, since I wanted to watch it without knowing most of the basic plot ahead of time.

The title character in The Preacher's Wife, which is directed by Penny Marshall, is Julia Biggs, played by pop powerhouse Whitney Houston. Julia is the daughter of a much-loved preacher, and she is extremely active in the church where her husband Henry (Courtney B. Vance) took over for him following his death. Henry has devoted his life to caring for others, but it's become exhausting, and now Joe Hamilton (Gregory Hines), a wealthy former congregant, wants to buy his church and replace it with a fancy new cathedral in a location more convenient for his plans for the city.

With so many issues to deal with at once, Henry cries out in desperation for divine assistance, and his prayer results in an extended visit from Dudley, an angel portrayed by Denzel Washington. Dashing Dudley, who has a knack for lifting spirits with a touch of his hand, is the real star of the show, the catalyst who brings about extraordinary changes in a downtrodden neighborhood. Some are more open to him than others. The young narrator, Jeremiah (Justin Pierre Edmund), son of Henry and Julia, is initially wary but soon comes to trust Dudley completely. Meanwhile, Julia begins spending more and more time with him, finding him personable and much more accessible than her husband is these days, and Henry, who along with Jeremiah is the only character with an inkling of who Dudley really is, has trouble seeing anything angelic in some handsome stranger sweeping his wife off her feet.

The Preacher's Wife is a very sweet movie about a community coming together in a time of crisis and a man adjusting his life to reclaim the joy and enthusiasm that used to drive him. It's about rekindling a relationship and expanding the definition of family. And, of course, it's about being willing to call upon a higher power when life is getting a little out of hand. Like Clarence of It's a Wonderful Life, Dudley is not a theologically correct angel; he's a former human, back to Earth for the first time since his death, and given his exhilaration at his return, it's fairly understandable that he finds himself drawn to Julia, to the point of misusing the powers bestowed upon him (as when he stops every red light in town so Henry will be unable to join them for an ice skating outing). Dudley may be an angel, but he isn't perfect.

He sure is lovable, though, and plenty easy on the eyes. I always tend to enjoy Denzel Washington's performances, and this mostly light-hearted role is one of my favorites. Dudley isn't into grand gestures, which makes it fun to see the subtler ways he affects those around him. I was previously familiar with Vance as Jim in The Adventures of Huck Finn, where I thought he made the perfect faithful counterpart to Elijah Wood's rascally Huck. Initially, he's not quite as likable here, but that changes as we get a sense of the man he used to be and could be again. Houston gives a good performance, though I find her less interesting than her co-stars, partly because the movie often seems more interested in showcasing her singing talent than developing her character. One or two of her big numbers feel entirely superfluous, and my favorite songs are those in which the voices of children are more prominent. Speaking of which, little Edmund is absolutely adorable, and his perspective gives the movie extra heart.

There are points at which The Preacher's Wife seems to borrow heavily from It's a Wonderful Life, but then that is one of a small number of classics that have found their way into dozens of Christmas tales. This has a story all its own to tell, even in comparison with The Bishop's Wife, and it's one that's almost sure to leave you smiling.

Remember the Dream

As the week beginning with Martin Luther King Day draws to a close, it seems an opportune time to turn the spotlight on a recent film which is a reminder of the struggles and triumphs of de-segregation efforts in the not-so-distant past. Remember the Titans, which chronicles the true story of a newly integrated high school football team in Alexandria, Virginia in 1971, is a powerful movie that demonstrates the strength to be found when unity triumphs over the stigmas of diversity.

The bulk of the movie takes place in the form of a flashback to 1971, when the death of a black student precipitated the integration of the city's two high schools. In an effort to accommodate the incoming black athletes, a new coach, Herman Boone (Denzel Washington), was hired to head up the Titans, the high school football team, much to the dismay of current head coach Bill Yoast (Will Patton), in the running for the city's Hall of Fame because of the Titans' excellent track record. The movie begins and ends in a cemetery in 1981, guided by the narration of Yoast's fiery daughter Cheryl, who was nine years old (Hayden Pannetiere) in 1971.

As new head coach, Boone faced many difficulties, the most harrowing of which was the task of convincing the white and black teammates to cooperate. The first team member to bridge the racial gap was Louis Lastik (Ethan Suplee), a gentle giant with a love for Motown music. The other teammates came around more slowly, forced to get to know one another by their relentless coach. Once star player Julius Campbell (Wood Harris) and Gerry Bertier (Ryan Hurst) learned to work together, the others followed quickly, and by the end of football camp the team was actually acting like one.

The rest of the movie deals with the lack of understanding by the rest of the Alexandrians upon the return of the newly integrated team and the teammates' struggle to remain united in the face of their still racist town. The youths had finally learned to see past their differences, but their parents were not prepared to accept the change. Winning became more important than ever because one game would cost Boone his leadership position. For Yoast, however, a winning season for the Titans under Boone would mean the loss of his nomination to the Hall of Fame.

Because this is a true story, the struggles of its main characters are especially poignant and speak to us as we remember the dream of Martin Luther King. Life does not always provide the happiest of endings, and Remember the Titans is not without its tragedy, but the way in which the team stood together to rise above it ends the movie on a victorious note. This marvelous movie is a powerful reminder of how far we've come and how far we have yet to go before all people are "judged not by the color of their skin but by the content of their character."