My friend Libbie and I have watched GLEE together many times, so the 2012 movie Pitch Perfect
seemed like a natural movie choice for a recent girls’ night in. This
Jason Moore-directed comedy based on the book by Mickey Rapkin is set on
the campus of a college where some of the students take music very
seriously. The primary focus is on the Bellas, a girls’ a cappella group
struggling to rebound from a disastrous national performance the year
before.
While the movie zeroes in on various students at
different points, the central character is rebellious freshman Beca
(Anna Kendrick), who dreams of being a music producer. It takes a lot of
persuasion to get her to join the group, but once she does, she becomes
a major source of energy and innovation, much to the displeasure of
controlling group leader Aubrey (Anna Camp), whose mishap necessitated a
fresh approach this year.
Brittany Snow is quite charming as
Aubrey’s best friend Chloe, the only other returning Bella and the one
who quickly recognizes Beca’s skill as a vocalist. Easily the sweetest
of the bunch, she is much easier to take than Aubrey, whose obnoxious
attitude usually cancels out sympathy for her unfortunate tendency to
throw up when nervous. This running gag is probably my least favorite
aspect of the movie, since they go to great pains to make the barf as
absurdly exaggerated as possible, a la Airplane. The result is too gross to be funny, at least to me.
While none of the other humor is that grotesque, I did find a lot of it
too low-brow or catty to really make me laugh, but there are some
genuinely funny moments, particularly involving Australian breakout star
Rebel Wilson as self-assured vocalist Fat Amy and Hana Mae Lee as the
quiet, creepy Lilly. The film also has some sweet moments of blossoming
friendship among fellow outcasts, as well as the slow-building romance
between Beca and movie enthusiast Jesse (Skylar Astin), whose uber-geeky
roommate Benji (Ben Platt), avid magician and collector of Star Wars memorabilia, is probably my favorite character in the movie.
Of course, given the theme of the movie, there’s a lot of singing here,
and most of it is quite good despite the fact that there are a couple
of songs we hear ad nauseam. A rivalry between the Bellas and the
all-male Treblemakers, of which Jesse is a part, adds drama to the
movie, and it’s fun to hear the arrangements that they come up with. As a
penner of filksong lyrics, I was also fascinated to hear Beca discuss
the process of creating mash-ups, which similarly involves finding the
common ground between two seemingly unrelated things and fusing them
together. In the case of mash-ups, both song theme and chord
progressions come into play, often with very creative and pleasing
results.
A cappella music and choral groups in general have experienced increased popularity in recent years thanks to shows like GLEE
and groups like Straight No Chaser, and those who get a kick out of
those tight-knit harmonies might want to give this movie a try, though
they should be warned that much of the comedy is crude, albeit only at a
PG-13 level. Additionally, it definitely feels informed by GLEE,
but it’s hard to say whether it spends more time celebrating or mocking
the spirit of that show. There’s certainly a tongue-in-cheek tone to
the movie, but at its most earnest, it demonstrates the power of music
to unite even the most different of individuals.
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