When The Dark Knight
came out in 2008, one of the reasons I was interested in it despite the
violence the trailers portended was that I’d seen part of Batman Begins
and liked it. This month, I watched the first movie in Christopher
Nolan’s Batman trilogy and realized just how little of it I’d actually
seen. Nonetheless, I did find it an enjoyable movie, much more so than
the second.
Batman Begins is like The Dark Knight Rises in that it spends a lot of time getting into the head of Bruce Wayne (Christian Bale). While the focus of The Dark Knight
is a bit different, these two movies make natural bookends. We see
several flashbacks to Bruce’s childhood, during which he is tormented
with anxiety over the bats that live in a cave on the grounds of Wayne
Manor. This terror ultimately has deadly consequences, leading him to
revisit it as an adult and use it to face more monstrous villains,
including an unlikely but terrifying foe who preys on people’s deepest
fears.
Batman is a dark superhero forged through tragedy, and
we see a lot of that brooding angst here. However, we also see the
strength of his moral principles, which were instilled in him by his
parents. While he struggles with a desire for revenge, his refusal to
become a bloodthirsty vigilante plays an important role in his
development, particularly in regard to Ducard (Liam Neeson), the martial
arts master from whom he receives extensive training during a lengthy
absence from Gotham City.
The movie is very action-packed,
with numerous explosions and altercations, but it also has quieter
moments and bits of humor sprinkled throughout as welcome seasoning.
Michael Caine is magnificent as his faithful butler Alfred, a father
figure and devoted friend with a wry sense of humor, and Morgan Freeman
is similarly enjoyable as inventor Lucius Fox, who provides Batman with
all of his nifty gadgets. Meanwhile, Gary Oldman brings dignity and
warmth to the role of kindhearted Jim Gordon, one of the few cops in
Gotham City who is truly concerned about justice.
The
screenplay by Nolan and David S. Goyer does a great job of establishing
the complexities of Bruce’s motivation and the darkness of the city he
aims to protect. The scenes in his childhood and early adulthood are
particularly effective at making him sympathetic despite his aloof
manner and tendency toward darkness. As childhood pal Rachel Dawes,
Katie Holmes helps drive home the distinction between his noble aims and
his sometimes excessive methods.
While I’m much more of a
Superman fan, Nolan and these talented actors are very effective in
bringing a unique vision of this iconic character to the big screen.
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