Wednesday, May 20, 2009

Bats at the Library Offers a New Perspective on Classic Literature

Three years ago, my dad bought me Brian Lies' Bats at the Beach, a delightful picture book he'd heard discussed on National Public Radio. Last week, while perusing the gift shop at the Tom Ridge Environmental Center here in Erie, PA, I discovered that Lies had written a sequel entitled Bats at the Library. Considering how much I'd loved his first bat book - and that I'm a frequenter of the library - I expected something delightful, and I was not disappointed.

In Bats at the Library, the same benevolent nocturnal creatures who flocked to the beach for some nighttime frolicking decide that their next field trip will be to the library. The bats serve as the collective narrators in this rhyming tale, and they explain the inspiration for their excursion: an open window. Someone - probably inadvertently - has left the bats an entry. There's a sense that they've done this before but that it's a very rare treat, and for some among them, it's entirely novel. One youngster in particular is featured on nearly every page; he appears to be wearing water wings, perhaps an indication that the bats had been planning yet another beach party until they got wind of the library's availability.

As with the first book, Lies does a marvelous job of making the bats endearing, showing us the world from a slightly skewed but still very appealing perspective. (For instance, the first page is upside-down, as evidenced by the chimney hanging down from the roof at the top of the page; the bats, meanwhile, appear to be standing up, when they're actually dangling from a branch.) The bats are brown and furry, resembling mice aside from the distinctive wings. For the most part, they fly about proudly unadorned, though one bat - a tattered-looking fellow with damaged wings and ears, which makes me suspect he's an elder statesman who's been through quite a lot in his life - cheerfully sports a pair of spectacles.

I love the poetic narration, which has a lovely cadence to it. This pair of verses toward the middle best sums up the magic of their outing: "And if we listen, we will hear / some distant voices drawing near - / louder, louder, louder still, / they coax and pull us in, until... / everyone - old bat or pup - / has been completely swallowed up / and lives inside a book instead / of simply hearing something read." Its initial echoes of The Midnight Ride of Paul Revere are a tip-off to the homages that will follow, though these are found not in the text but in the outstanding acrylic illustrations, which really tell most of the story.

This was the case in Bats at the Beach as well, but it's even more pronounced here. While the words and pictures work together for such activities as the bats duplicating themselves on the copier, swimming in the water fountain and playing inside a pop-up house, the most exhilarating details, particularly for bibliophiles, are collected in two two-page spreads, accompanied my a mere two lines of text. I rather wish that Lies had included, in the back of the book, a list of all of the books to which he alludes in his illustrations; there are about 20, most of which incorporate bats in some manner as the eager readers imagine themselves as such characters as Pippi Longstocking, Aladdin, Winnie the Pooh, Peter Rabbit, Arthur Pendragon and Mr. Toad. One of the few book references without a corresponding bat is The Hobbit, though I like to imagine a Bilbo bat just on the other side of that attractive green door in the hillside, eating a leisurely second breakfast.

The book is veritable treasure trove for book-lovers simple because of these four pages alone, but the rest of Bats at the Library is also quite charming. If you want to appreciate literacy from an unusual angle, take flight with Brian Lies' bats and prepare for adventure.

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