Monday, July 26, 2004

Dialogue Menaces a Masterful Prequel

For many years, I devoutly avoided Star Wars due to the traumatizing effects of seeing Han Solo frozen in carbonite at too tender an age. Thankfully, by high school I was well over my discomfort with the trilogy, so I could appreciate the excitement of several of my classmates over the films’ re-release in the theaters. When I learned that the rumors of a prequel trilogy would begin to come to fruition just weeks before my high school graduation, I was aware this was a major cinematic event. At some point, during the massive fast-food tie-in campaign, flurry of merchandise and early reports that the film would be sold out for several weeks, I began to wonder if it might be a bit too major. I didn’t intend to go anywhere near a theater during the first couple weeks of Phantom Menace’s run, fearing for my life. So when Dad came home from work two hours before the first showing announcing there were still tickets available for the first night, I couldn’t believe it. We found ourselves in the midst of a super-charged crowd of people, many of whom were in costume, during the second showing of the film. I find it ironic that I got in on the first-day Phantom Menace geekfest but none of the Lord of the Rings equivalents, but it was a rather exhilarating experience.

Was the movie worthy of all the hype and the nearly two decades of waiting? Well… Not quite. Some of the magic of the first trilogy was just missing. The special effects were absolutely amazing but overwhelmed the movie. None of the characters were as fully realized or easy to care about as those in the original trilogy, and I particularly missed Han Solo, who had no corresponding character in Phantom Menace. Of the new characters, Qui-Gon Jinn (Liam Neeson) is the one who impressed me most. Recalling Obi-Wan in A New Hope, he is kind and wise and exudes a calm Jedi aura. I was already a fan of Neeson before this film, and his performance here was one of the highlights of the movie. He seems a completely natural part of Lucas’ universe, and it’s a shame he could only be a part of one film. (Or could he? If Obi-Wan could come back as a ghost in two movies, why not Qui-Gon??) At any rate, he's a wonderful new character, and his lengthy light saber battle with Darth Maul is exciting and tragic. Also impressive is Mace Windu (Samuel L. Jackson), though we don’t see him much in this film. He also comes across as a natural Jedi. Yoda (Frank Oz), C-3PO (Anthony Edwards) and R2-D2 (Kenny Baker) all reappear and are predictably delightful, though even Yoda has been infected with the epidemic of over-seriousness.

Natalie Portman brings grace and warmth to the role of Queen Padme Amidala, a young woman with far more maturity and wisdom than Princess Leia possessed at the beginning of A New Hope. She also has more ornamental clothing; her ceremonial dresses and headgear are ridiculously ornate. In spite of her stiff ceremonial appearance, she is a fearless and compassionate leader, and her empathy allows her to form a bond with the young Anakin (Jake Lloyd) that will play a major role in their future. Not to pick on the little guy, but I would actually have to identify Jake as the weakest link in the chain here. I found him irritating, either too sullen or too cutesy. Whenever he was on the screen, I got more of an impression of him reading cue cards than actually doing any acting. His best scene was probably the pod race, a fast-paced little-guy triumph slightly reminiscent of the Herbie films, and the success of that scene had far more to do with special effects than acting.

Ewan McGregor is perfectly fine as Obi-Wan, but he doesn’t get to do all that much here. He speaks – and smiles – very little and spends most of his time simply shadowing Qui-Gon. And his Scottish accent is wasted in a role that requires him to sound like a young Sir Alec Guinness. But I really don’t have any legitimate complaints against Obi-Wan. And – don’t kill me – I don’t even consider Jar Jar Binks (Ahmed Best) a detriment to the film. Clearly, he’s there for comic relief, but the film could use some of that since its main characters tend to be overly serious. I usually found him funny, and my favorite moment in the entire film occurs when Qui-Gon grabs his tongue to prevent him from nabbing another piece of fruit and sternly admonishes, “Don’t do that again.” Jar Jar can be a little irritating sometimes, but not overly so. I love the whole Gungan culture, particularly their leader, and the underwater scenes are cinematographically the most impressive in the film. The climactic final battle is also a visual treat and recalls Return of the Jedi.

All sorts of bizarre creatures populate this film, making it even more visually appealing. The trouble is that while the visual aspects of the movie are meticulously crafted, the plot is less enticing than those in the original trilogy, and the dialogue is sometimes painful. Anikin particularly suffers from poor writing. His “yippees” sound completely out of place, as does his groaner of an exclamation of “This is tense!” Most of his dialogue sounds unnatural. Other characters suffer not so much from bad dialogue as a lack of good dialogue. The original trilogy was full of great lines. I’m not sure I could come up with half a dozen great quotes from the first two films.

Nonetheless, Phantom Menace does provide an intriguing look into the rest of Lucas’ big picture. It’s heartening that he actually did deliver the prequel trilogy he promised, even if it took him twenty years to do it. I’m thinking he’ll opt out of the triple trilogy idea, but it’s nice to get the beginning of the story. And besides, a third trilogy would require disturbing the harmony Return of the Jedi so gloriously restored. Does Phantom Menace stand up to the original trilogy? Not completely. But it’s still pretty nifty.

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